More Perfect Union: The American Civil War Era

Opening July 10

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When you first step inside More Perfect Union: The American Civil War Era, you are immediately swept away by the political storm that engulfed the nation in the years leading up to the Civil War. Photographs, headlines, political cartoons, and other imagery flash across multiple screens, while period voices collide in a cacophony of socio-political debate. These are the words of real Americans, revealing the deep divisions, conflicting opinions, and uncertainty that defined the era..

More Perfect Union goes beyond stories of the battlefield to explore how the Civil War defines American identity — from the seeds of conflict sown at America’s founding, to how the war reverberated through all aspects of American life, and finally to how its resolution continues to impact our present day. Through immersive storytelling, personal accounts from people who were there, deeply researched interpretation, and rare and never before seen artifacts, the exhibition examines the central questions that shaped the nation: Who was included in the promise of American democracy? Who was excluded? What does a more perfect union look like?

This new exhibit also allows us to share with you one of the most comprehensive Civil War collections in the world. Many artifacts have never before been displayed publicly. Among the featured objects are an original copy of Frederick Douglass’ speech, “What to a Slave is the Fourth of July?”, the Confederate flag that flew over Atlanta at the time of the city’s surrender, and the battle flag of the 127th U.S. Colored Troops bearing the words “We will prove ourselves men”.

More Perfect Union also incorporates personal stories drawn from the journals, letters, photographs, and everyday objects of the people who lived through the war. Throughout the exhibition, thoughtfully integrated technology elevates the collection and allows visitors to engage more deeply with the scale, geography, and human impact of the Civil War era. Interactive digital maps, immersive films, projection timelines, and searchable databases provide historical context and allow visitors to explore stories and connections at their own pace, while keeping original artifacts and primary-source interpretation at the center of the experience.

More Perfect Union offers a deeper, more inclusive, and truth-centered understanding of America’s Civil War. It will challenge myths, confront difficult truths, and offer visitors an invitation to not just look back, but to reflect on how history informs the present and future.

Collection Highlights

This regimental standard belonged to Philadelphia’s 127th Regiment of the United States Colored Infantry, and it’s one of the premier artifacts that will be displayed in More Perfect Union: America’s Civil War Era.

Learn more about Atlanta History Center’s U.S. Colored Troops collection of Civil War-related items. 

U.S. Army post flag that flew over the freedmen’s or “contraband” camp at Craney Island, Virginia (Hampton Roads/ Ft. Monroe) 1862-1863. From Dr. Orlando Brown, physician in charge of the camp, later ran the VA Department of the Freedman’s Bureau.

New Testament, dated 1824, belonged to L.L. Parker, Md. Artillery. Interior page at left has a handrawn image of a cannon ball shooting a projectile to the left with words “Death / To / Davis”. Underneath in cursive: “God Save / Our Nation!” The interior right page reads, “L.L. Parker / 1st Md. Lt. Artillery / U.S. Vols”.

Small gold locket with hand-tinted image of unknown enlisted USCT artilleryman wearing forage cap with crossed cannons and smoking a cigar.

View of the destroyed Georgia Railroad roundhouse after the Battle of Atlanta, looking northwest along the railroad tracks from the southwest corner of what is now Piedmont Road to the Broad Street bridge in Atlanta, Georgia. Photographed by George N Barnard.

“AM I NOT A MAN AND A BROTHER” anti-slavery and abolitionist copper coin.  Backside of coin shows two clasped hands encircled with words, “MAY SLAVERY & OPPRESSION CEASE THROUGHOUT THE WORLD.” Minted 1796-97 in Birmingham, first version of this famous logo depicted on a coin; many British and American copies followed.

Linen banner Fremont campaign, 1856. White with red, gold, black paint. Reverse: “A Freedom Of Speech,/A Freedom Of Thought,/A Unity, Earth Cannot Sever,/A Freedom Of Soil/By Blood Dearly Bought,/American Freedom Forever.”